Pix'Elles MetaLab

My approach to musical creation is similar to that of film directing, following an asynchronous process. Here’s how each step of musical creation parallels the world of cinema:

1. Choosing scores is like choosing a script: This step initiates the creative process by defining the framework of the work, just as one would with a film.
2. Directing musicians is equivalent to directing actors: It involves guiding performers to bring the musical composition to life, just as a director leads actors to embody their roles.
3. Selecting the best takes is akin to selecting rushes: The finest musical moments are chosen, just as one selects the best scenes during the editing process of a film.
4. Creating acoustic spaces corresponds to creating special effects: This involves designing soundscapes, much like special effects add an immersive dimension to a film.
5. Inventing imaginary soundscapes is comparable to building sets: Unique auditory environments are crafted, just like sets build the visual universe of a film.
6. Responding to the music industry crisis by offering audiovisual professionals “Everything you’ve ever dreamed of to orchestrate your images” (via orchestral songs in decomposed instrumental versions on OrchestralKit.Film): This allows these musical pieces to live within your own audiovisual works.
7. Creating musical NFTs for the metaverse is about exploring what we can imagine there: It’s a way to discover new ways of using music in virtual worlds. This technology opens up new and unprecedented creative horizons.

By orchestrating each step of this process, I have brought Pix’Elles Rhapsody to life: a complete and immersive artistic work that merges music, technology, and innovation.